I'm now at the Creative Capital Conference. Free WiFi. Yay! The DNS from the DHCP didn't work though so you have to find one and enter it directly... anyway.
It looks like a very interesting conference. Some of my favorite speakers are here including Charles Leadbeater and Pekka Himanen (who I was just with in Madrid). The other speakers sound interesting too and I look forward to their presentations. I will be giving a keynote on the 18th at 11:00, doing at Q&A at 11:30 and will be on the "Publicly Financed Content" panel at 13:00.
Today, the 17th, there will an all-afternoon gathering of Creative Commons projects from across Europe. This is the first time they've assembled in one meeting and I look forwarded to hearing about all of the projects.
The mayor of Amsterdam is speaking now kicking off the talk with a quote from Richard Florida talking about how businesses seek out creative people, but people seek out cities with other creative people. He is talking about the creative capital of cities.
I've been using Richard Florida's "Creative Class" to identify the new class of people who are anti-establishment, proactive, creative, connected... you know... us. Francesco Cara and Jyri Engeström turned me on to Richard Florida's work. (Everyone else in the world appears to already have known about him once I started to get excited.) I just read Karrie Jacobs's criticism of Richard Florida and his Creative Class quoting a discussion with John Thackara, the organizer of Doors of Perception, the conference I will be speaking at next. (via Gen Kanai) It's an interesting criticism and it argues that "In other words, Florida has taken something qualitative and turned it into something quantitative." I agree with some of the points, but I think that there is a class of people who seem to have more similarities across countries than other people in the region. If you look at the proliferation of things like social networking software and blogs in countries like Brazil and Iran, I think that broadband users in these countries have more similarities to the creative class in other countries than to their parents. I think that from a social software and remix culture perspective, this is very interesting.