Ulrike Reinhard posted a nice "best of" video of our DIY Video panel. The panel was a lot of fun. The moderator was Howard Rheingold and the panelists were John Seely Brown, Yochai Benkler, Henry Jenkins and me.
Recently in Video Category
24/7 DIY Video Summit is a conference which involves more of my friends than just about any conference recently. It should be a blast. Be there or be square.
24/7: A DIY VIDEO SUMMIT
February 8-10, 2008 School of Cinematic Arts, University of Southern California
[Howard says] I’m thrilled to moderate a session on Feb 9 that will include Yochai Benkler, John Seely Brown, Joi Ito, Henry Jenkins, and Lawrence Lessig. I don’t think this particular group has ever been on stage together.
Spaces are limited for attendance at the academic panels and the workshops. The video screenings are free and open to the public.
24/7: A DIY Video Summit will bring together the many communities that have evolved around do-it-yourself (DIY) video:artists, audiences, technology providers, academics, policy makers and industry executives. The aim is to discover common ground, and to chart the path to a future in which grassroots and mainstream, amateur and professional, artist and audience can all benefit as the medium continues to evolve.
This three-day summit features:
SCREENINGS OF DIY VIDEO
On February 8 and 9, there will be screenings of DIY video that are open to the public. These will feature curated programs on design video, activist documentary, youth media, machinima, music video, political remix and video blogging. The video program will culminate in an evening program and reception on February 9 that will draw from all of these video genres.
Registered attendees will have access to the academic program on February 8 and 9 that features panels on The State of Research, The State of the Art, DIY Media: The Intellectual Property Dilemma andDIY Tools and Platforms. Featured speakers include Yochai Benkler, John Seely Brown, Joi Ito, Henry Jenkins, Lawrence Lessig, and Howard Rheingold.
WORKSHOPS AND BIRDS-OF-A-FEATHER MEETINGS
On February 10, the day will be devoted to practical and hands-onworkshops for registered attendees on topics such as intellectual property, media creation, distribution and new-media design tools. Attendees will also have the option of organizing their own birds-of-a-feather meetings to connect with other attendees.
UPDATE: Put together a day's worth of time-lapse with Wataridori 2 by Cornelius. (29 MB mp4)
Lessig has a thoughtful post urging people to urge the RNC and DNC not to use restrictive copyrights on political debates. With more and more political expression being done in video, it is time we consider the importance of free speech in video. Video is covered by stronger copyright restrictions when it comes to citation and remix than text. Having politicians and political parties push networks to air their words under the most permissive CC license, the CC-BY license would greatly enhance the public's ability to participate in the political video dialog.
UPDATE: Lessig has an update with the crazy rules that NBC uses today for reuse of debate footage.
I hope they aren't allowed to get away with this sort of thing with impunity. This "collateral damage" is as bad as the "piracy" they are trying to suppress.
I recently blogged about some of the issues I have with YouTube. Revver, on the other hand, does two things right. They share the proceeds from advertising with the artist and they've figured out and advertising model that still allows you to download the video. Revver uses a Attribution-NonCommercial-NoDerivs 2.5 license which does not allow remix and derivative works, but does allow sharing.
Creative Commons has launched fundraising campaign with Revver.
Creative Commons and Revver launch Viral Video Fundraising Campaign
Submitted by Eric Steuer on 2006-11-01 01:04 PM.
Today, Creative Commons launches a brand new fundraising model: We're becoming the first nonprofit organization to raise money through online video sharing.
We've uploaded several of our short videos (which explain CC licenses and talk about how the Creative Commons project began) to Revver, an incredibly cool video-sharing platform that uses Creative Commons licenses to help creators make money from their work.
Revver attaches a short ad at the end of each video on its network. When a viewer clicks on the ad, Revver splits the resulting ad revenue with the video's creator. Usually, it's a 50/50 split, but Revver is generously giving Creative Commons 100% of the money our videos make through the end of our fundraising campaign on December 31, 2006.
So, watch our Revverized videos (or help us spread them by embedding them on your blog, MySpace page, or Web site), check out the ads at the end, and help Creative Commons get paid! (Although we want you to watch our Revverized videos so we can earn money, we've also made ad-free versions available.)
As part of this launch, we're premiering our latest video -- Wanna Work Together? -- designed by Ryan Junell (who is also responsible for our Get Creative and Reticulum Rex clips) and featuring new music by Lesser. The video pays tribute to the people around the world using CC licenses and CC-licensed content to build a better, more vibrant creative culture.
In conjunction with this launch, we're also publishing a Featured Commoner interview with Steven Starr, the founder and CEO of Revver. In it, he talks about Revver's origins, its future, and his views on the current state of user-generated video.
For more information about the Viral Video Fundraising Campaign, take a look at our press release.
Amazing mashup of Yuzo Kayama (a Japanese singer from the past) and Fatboy Slim.
UPDATE: Yuzo Kayama still sings and can pack the house, but this original movie is probably from the 60's.
UPDATE: http://www.youtube.com/v/-jVzMGZDz3A appears to be a new working link.
Brazil's Minister of Culture Gilberto Gil partakes of "Free Beer" - brought to him at the iSummit in Rio de Janeiro June 2006.There were a bunch of cameras rolling when Gilberto Gil got his free beer at the iCommons Summit. All of the video was licensed under a CC Attribution license so Justin was able to edit together a multi-camera video of the Minister and his beer.
Thanks to the colossal effort on the part of Nevin Thompson for the translation and transcription and the overtime work by Thor at dotSUB getting this posted, the MXTV show that I blogged earlier is now available with English subtitles. The show was directed by Shuichi Fujiyasu, "Peacedelic'ed" by Hiroyuki Nakano (who just won a Canne Young Critic award this year for his short film "Iron") and produced by Digital Garage. A lot of the video is just about me and stuff I'm interested in, but there is also a bunch of stuff about Creative Commons. Since it's on dotSUB, anyone who is interested can sign up and translate it into other languages. I'm slightly self-conscious posting a video which is mostly about me, but I think that parts of it are very cool and worth seeing. Shuichi Fujiyasu and Hiroyuki Nakano also did a very cool job of annotating the attributions for the attribution license. Of course, this version is also licensed under a Creative Commons attribution 2.5 license.
Anyway, thanks for all the help.
PS : The Nakano films still need more help on the translation if you happen to have time. ;-)
Loic was lugging a one-man-video setup around when we met in Helsinki. He talked me into doing a conversation so he could show off his gear. ;-) He posted the video and audio on his blog.
Loic has been interviewing amazing people for his blog. Unfortunately for me, the interviews are mostly in French. Maybe he should use dotSUB...
Undercity is a Horde city in the World of Warcraft. A few weeks ago some of our guild members and friends decided to take a field trip to Undercity. We snuck in through the sewers and pwned some guards and a battlemaster. I found the video on my hard disk this morning during the conference so I decided to edit it and put some music to it.
The music is Nebula Dub by _ghost that I found on ccMixter. The song is licensed under a Creative Commons Attribution-NonCommercial 2.5 license so this video is as well. It's about 5 min. (AVI / MP4)
UPDATE: yeah yeah... I know the AVI version sucks.
I KNEW people would make creative use of the CC licensed video I uploaded.
And NO. That's NOT what I said. ;-P
The video requires some quicktime stuff and won't run in many players. If anyone knows how to convert it to other formats, let us know. FWIW, it seems to work in Safari on my Mac, but not in Firefox... and it will take awhile to download.
I've just uploaded the 50 min special produced by Digital Garage and directed by Hiroyuki Nakano for MX TV (and the Net.) All of the content is licensed under a Creative Commons Attribution 2.5 License. It is a 308 MB MOV file / iPod Video file. This 50 min show is a warmup for a weekly 30 min live show that I will be doing from July. The master is in HD format and I'll upload it at some point.
This show is about Creative Commons and has lots of scenes of me just talking about stuff. It includes a walk-through of my house and is Joi-centric. Sorry. ;-P It's also in Japanese. We're going to possibly make and English sub-titled version. If anyone wants to help, let me know. Since it is CC-BY, feel free to chop it up and do whatever.
Hiroyuki Nakano is a well know director famous for doing the DEEELITE music videos, Samurai Fiction and many other amazing video pieces and it was a huge pleasure to work with him and also watch him get switched on to CC. We tried to figure out the best way to do attribution in video. Thoughts on the icons and format would also be greatly appreciated.
It will air on MX TV 29.April 2006 2100~2155.
UPDATE: If anyone decides to edit it, can you replace the credits at the end with:
Produced by Digital Garage
Peacedeliced by Hiroyuki Nakano
Directed by Shuichi Fujiyasu
I'm going to fix it in the next version, but I'm leaving the current one up there until I do.
Laurie Racine showed me a very nifty site that allows people to subtitle videos in various languages. I SO want my TV show stuff set up like this. It make sense to make the content some sort of derivative works permissive CC license because translations are derivative works as far as I know. The site is called dotSUB.
MX TV and Digital Garage approached me about hosting a TV show on MX TV's new terrestrial digital high definition broadcast channel. The market is quite small, covering only Tokyo and only viewable by people who have terrestrial digital tuners, but the good thing is that I'd be free to do just about anything I want. Starting July, they will broadcast to mobile phones with the proper tuners as well.
Originally, the plan was to start in April, but I'm arguing that we should push the launch back to July when we have the mobile phone viewers. This will also give me a bit more time to organize this. I've hosted TV shows in the past and I'm not particularly fond of them, but it sounded like I would have a lot of freedom and since it looks like they will agree to allowing me to license all of the content under a Creative Commons BY license, we could all use the footage for other stuff and maybe I could launch a video blog.
I just set up a wiki page where I will be posting thoughts and ideas. Justin Hall will be helping me shoot some footage for the show at SXSW as well. If you're interested in participating in this project in some way, sign up on the wiki or comment here. It's still basically wide open at the moment, but here's what I have in mind.
- Weekly live broadcast for 30 min, Sat night 10 PM JST broadcast on MX TV as well as the net
- Show and B-Roll material available for download
- Active integration of #joiito IRC channel for feedback and participation
- Japan blog roundup using Technorati Japan
- Interviews of bloggers and other people by pre-recorded video and video conferencing/iChat AV
- Feature Global Voices stories
- Feature Metroblogging bloggers
- See if I can do interviews in Second Life or World of Warcraft
- Feature amateur and viewer content and try to collaborate with schools and artists to make cool stuff
- Video blog format output of show
Anyway, we have a few more week before I have to start actually committing to the format so any thoughts on what would be cool would be greatly appreciated.
Web cams are old news. I remember how excited I was when I first played with slow scan TV and then with CUSeeMe. I stopped looking at web cams lately, because staring at a coffee pot got boring after awhile.
Kenji Eno just sent me a link to the Aizu Wakamatsu station web cam. Again, the content is not that interesting. It is just a train platform. However, the speed and the resolution are so high that you can see people walking and things flapping in the wind. You can hear the announcements and listen to the trains come and go. It's amazing how far we've come. I'm sorry if this "wow" is out of sync, but this web cam made me realize how far we've come.
UPDATE: I think it's getting a bit choppy as people hop on the stream. Be nice to their bandwidth please.
UPDATE 2: There is a steam locomotive (SL) that shows up sometimes.
Some day people will look back and try to understand.Cory Doctorow @ Boing Boing BlogDaily video of a geeky dancer in his living room
Daily Dancer is a site where a geek video-records himself dancing to a different song every day and posts it. Jamal recommends starting with the Fett's Vette boogie, on the basis of its laudable Star Wars Kid reference, and I concur.
I'm listening to Andrew Odlyzko giving a talk right now about why Quality of Service (QoS) and real-time streaming is stupid. He showed a slide showing that P2P and other traffic are generally transmitting files at faster speeds than their bit rates. Basically, if you cache and buffer, you can have outages in the downloads and you'll usually be fine. I agree. I can see why carriers would want to spread the rumor that QoS is some feature that we have to have, but it's strange that so many researchers seem to think we will need QoS supported video streaming. Maybe they need to stop watching cable TV.
I went to Akihabara last weekend with Gen, Jim and Boris looking for a PSP. There are rumors of production problems in China. In any event, they are in very short supply. I had heard that they could be found in some of the alleyways in Akihabara. We walked around for quite awhile but couldn't find one. Finally, Andrew came to our rescue and emailed me directions to a tiny shop in an alley that said on their web page that they had some in stock. After a bit of wandering around, we found the shop and I got my PSP.
First impressions. Very slick looking like in the ads, but the left buttons squeak on mine, which is unbecoming of such a hyper-designed product. Also, it is very glossy so fingerprints are very noticable. The graphics and sound are fabulous. I reunited with Ridge Racer, which I used to play a lot of the Play Station when it first came out. I can see myself wasting a lot of time again, but now mobile.
The other thing that surprised me was that when I popped the memory stick duo card out of my Sony DSC-M1 which takes mpeg movies and popped it into the PSP, it just worked. The movies played flawlessly. On the other hand, it's a bad sign that being able to move movies between two Sony devices is such a surprise. ;-)
I stopped playing video games several years ago after I completed BioHazard on the Play Station because I thought gaming was having too much of an impact on my productivity... but I couldn't resist the PSP.
For your reference, Wizbang has links to the video.
People used a lot of flash and video during the elections to express their views online. With more bandwidth and easier and easier video editing, video as a form of expression will continue to grow. It's interesting how the TV ad as a form is perfect for twisted humor because it is designed to be short and strong and people are used to the format.
There is an interesting discussion going on on MetaFilter about a very graphic video of what appears to be French soldiers shooting at civilians in Cote d'Ivoire. The discussion starts with understandable outrage, but some people begin to question the authenticity of the video and question whether it might be propaganda from the Gbagbo government. There is more and more political video on the Internet and it clearly is more emotional than text. Well respected groups such as Witness have been using video to expose human rights issues for awhile now. It will be interesting to see if/when/how not so respectable groups begin using video on the Internet for political issues or to spin the truth.
I can't conclude either way about exactly what is going on after watching this video. (Warning 100MB and very graphic.)
p2p-Politics.org is a cool new site that lists video ads supporting Kerry, Bush and Nader. Although the site was launched by known Kerry supporters and currently there are only ads from the Kerry campaign and some of MoveOn.org's Bush in 30 Seconds ads, there is a tab for Bush and Nader and are soliciting ads from them. They also ask people to submit their own ads. The idea is that the site would be a non-partisan site that allows you to view ads of the candidates and email links to the ads to friends. The ads are hosted by the Internet Archive and licensed under a Creative Commons license. The "p2p" here stands for people-to-people or peer-to-peer but is not p2p as in the file sharing protocol. This site is a volunteer effort by J Christopher Garcia and Aaron Swartz, "with some ideas by Lawrence Lessig" and support from the Internet Archive.
Yay! Thanks Gary! And hats off to Robert Greenwald for actually doing what Moore talked about with F 9/11. I think that P2P and political documentaries is an amazing new channel for political activism and free speech.Gary LerhauptUncovered: The War on Iraq - Interviews Torrent
In a follow-up to the licensing of the Outfoxed movie under a Creative Commons license, Robert Greenwald has also agreed to release the interviews from his previous movie, Uncovered: The War on Iraq under the Creative Commons. The files can be downloaded directly (also available in higher quality format) from archive.org, or you can join the torrent hosted on Torrentocracy.com at uncovered_interviews.torrent.
Hopefully we can match the over 700 downloads of Outfoxed that its torrent has already generated. Either way, the truth is free.
(free as in beer AND as in freedom)
Adam Curry samples a portion of Halley's interview with me on Memory Lane on his Daily Source Code Aug 17 2004 - (1.2MB mp3 of relevant section). I'm talking about how I showed the chairman of NHK (Japan's public broadcast network) a video that I downloaded from Adam Curry's MTV.COM. I think this was around 1994 or 1995... It was one of the few video files on the net at the time. I used to show this video all the time and I told this to Adam when I met him at Bloggercon. He said he wanted a copy of the video and I thought I might have it around, but I looked and I don't have it. Sorry Adam! Does anyone else have it? It's a bit of Internet nostalgia and history that would be fun to have. Unfortunately, I think this predates archive.org.
I just received this by email from a friend.
WELCOME TO THE WAR IN IRAQ
Attached is actual night-vision footage shot from a U.S. Apache attack helicopter engaging Iraqis, whom allegedly were attempting to launch a Stinger missile at the Apache. The Apache responds with approximately one-hundred rounds of 30mm cannon fire, which is, ironically, the least powerful weapons system onboard the helicopter. The footage has been "dumbed down" to VHS resolution before conversion to MPEG, since the actual night-vision system on the Apache provides a much sharper and more detailed image.
I realize that the targets were probably a threat to the helicopter and the actions within the rules of engagement, but it is disturbing none the less.
UPDATE: The server load was getting to high so I removed the direct link to the file. You can get it via bit torrent. (4.65 MB mpeg bit torrent file) If you don't know what bit torrent is or don't have it, check out the web page.
UDPATE 3: Here is a torrent of the full mission.
Thanks Loic and Geraldine!